JP/EN
Metamorphosis Garden 2021 mixed media dimensions variable Installation view, “Kohei Nawa – Metamorphosis Garden“, Tokyo, Japan
INFORMATION
Metamorphosis Garden
Metamorphosis Garden is an installation with the theme of life, matter, and a world in which ambiguous entities coexist on the boundary between the two. Expressing the emergence of a new narrative out of chaos, it is a development from the Biota (Fauna/Flora) installation (2013)on Inujima island in the Seto Inland Sea. Ether and Trans-Deer emerge as symbols of life from irregularly shaped islands and droplets in a group of sculptures covered with alumina and microbeads floating in the atrium space. An augmented reality performance created in collaboration with choreographer Damien Jalet creates a constantly changing world in which real objects and images of augmented reality overlap.
Autumn ROOT
The theme is the rhizosphere, the soil zone surrounding a plant’s roots, a world of roots and root vegetables growing with pronounced vigor, spreading beneath the surface.For this animation, we commissioned works from Makiko Tanaka, an artist living in France. She explores expressing motifs such as food that exists all around us as fictitious landscapes or events. The two new works presented here, “Théâtre de la terre” and “Sleeping Beauty,” display her characteristic floating, pop art style in fantastical depictions of the rhizosphere. The threads around the branches are dyed with turmeric and beets and presented to recall roots and root hairs.
Metamorphosis Garden 2021 mixed media dimensions variable Installation view, “Kohei Nawa – Metamorphosis Garden“, Tokyo, Japan
Metamorphosis Garden 2021 mixed media dimensions variable Installation view, “Kohei Nawa – Metamorphosis Garden“, Tokyo, Japan
Born in 1975, and based in Kyoto, Kohei Nawa received a PhD in Fine Art/Sculpture from Kyoto City University of Arts in 2003, and established SANDWICH in 2009. Focusing on the surface “skin” of sculpture as an interface connecting to the senses, Nawa began his PixCell series in 2002 based on the concept of the cell, symbolizing the information age. Recently, Nawa has also worked on architectural projects, including the art pavilion Kohtei In 2018.
Graduated from Tokyo Zokei University and established the design company Pranks Inc. in 2001.
She designs spaces that generate communication through stories and humor.Since the opening of GINZA SIX , she has been in charge of the show window without displaying products on the food floor.she continues to question the concept of luxury, which is the concept of the facility, from her unique perspective, using the most familiar and everyday food as the theme.
Born in Tokyo in 1975 and currently lives in France. Works mainly in watercolor, oil, pastel, pencil, and ceramic. She has garnered attention for her activities that go beyond the art scene, such as her sketch collection La collection gastronomique (HeHe), the design of Macaron Baby, the symbol of Pierre Hermé Paris Aoyama, and her column on the web edition of Shiseido’s Hanatsubaki.